New York: Stokes, 1937. First Edition. Very good in dust jacket. [With] the untitled advance reading copy in wrappers, announcing a contest to pick a winning title. Very good.
London: Ealing Studios, 1947. Measuring approximately 27 x 22”, framed, matted and glazed, overall measuring 33 x 28”. This color poster for the film is, in this cataloguer’s estimation, among the artist’s best work, featuring the various principals’ names over an illustration that covers the entire printed area of the.....
New York: Robert M. McBride, 1935. First Edition. Very good in dust jacket. Presentation copy; inscribed by the author to another artist, “Much love to Isabel [Bishop] from her admiring friend, P.B.” Below the inscription is a detailed, half-page pen and ink drawing of a girl rummaging through a trash.....
Boston: John P. Jewett, 1859. First Edition. Publisher’s cloth; very minor foxing and spotting; a near fine copy. Well-illustrated; the frontispiece is a two page color lithograph suggesting a plan for 60 acres.
Chicago: Reilly & Lee, 1943. First Edition. Very good in a dust jacket with a faded spine. The author is best known for his hardboiled detective novels.
London: Novello, Ewer and Co., n.d. [1904]. First Edition. Quarto; publisher’s paper covered boards; some wear and spotting; very good. Consisting of 18 songs, their music and lyrics; printed in two colors (black and blue), but without Blake’s illustrations. Very uncommon.
New York: A. Simpson & Co, 1867. First Edition. Wright 649, BAL #4010, both citing an 1868 publication date. This is a large-paper copy, with “Presentation Copy” imprinted on the copyright page. BAL attributes authorship to Sir Samuel Ferguson, and the preface to Cozzens. Publisher’s cloth; very good.